Continuing the exploration of the human form in motion, Arms III extends the study into a more conceptual dimension. It captures not only the physical trace of movement but also the intervals between gestures, the pauses and suspended energy that shape presence. Casted in a stonelike material, the work is envisioned to preserve these fleeting moments with a sense of permanence. Through layered abstraction, it transforms motion into structure, examining how the body’s weight and absence coexist within solid form.
