Visibility and concealment intersect in a tension between surface, depth, and suggestion. Industrial materials and fragmented, distorted bodies are used to disrupt the traditional notion of representation. What is shown remains suspended in an in-between space, somewhere between reflection, distortion, and fragment. The human figure is present as a form, yet never fully graspable; its appearance is altered through layers of color, mirrored surfaces, and visual interference. The result is not a clear image, but rather a trace, an echo,something that resists depiction and withdraws from being fully seen.
